This encyclopedia of alternatives to traditional architectural practice is a valuable reference at a time when many architects are still out of a job and are disenfranchised by the profession. It also illustrates the great diversity of architectural production that exists outside of the “individual hero” mold. Collaboration and empowerment are key instead of authorship and formal novelty.
This collection of a dozen urban design projects by Morphosis is elegantly designed and illustrated, a visual feast. But it is also theoretically intriguing, in the way Mayne uses the computer for exploring the evolution of urban form.
This book collects over 150 design proposals in response to the Institute for Urban Design’s By the City/For the City competition. While not all of the proposals are necessarily worthy of publication, the book is notable as an exploration of how crowd sourcing can be used to define problems and develop appropriate design solutions toward the betterment of the public realm.
This collection of Pamphlet Architecture’s second decade is notable on a personal level. These issues coincide with my undergraduate architectural education, and were therefore important in shaping how I thought about architecture. Those by Lebbeus Woods and Kaplan and Krueger hold up especially well all these years later. This collection also replaces issues that I have misplaced over the years.
Finnish architect, educator, and writer Juhani Pallasmaa wraps up his trilogy of books on the senses in architecture—Eyes of the Skin and The Thinking Hand are the first two—by focusing on images at a time when they saturate our mediated lives. He skillfully argues for reconsidering image based on experience rather than image based on novelty.
This beautifully produced monograph on Chicago-based Studio Gang Architects redefines the genre with its thorough illustration of process. It reveals the imagination and working methods of Jeanne Gang and her team through an archival presentation of a half-dozen projects. A sequel with more projects is much anticipated.
Ford, an architect and educator at the University of Virginia (and the author of The Details of Modern Architecture), continues his exploration of details in architecture by defining five different types found in contemporary architecture and buildings from last century. Theoretically he grounds each type of detail into a larger context, ultimately arguing for autonomous details that work on their own terms.